Someone Died.

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No, not the one that’s all over the news (although yeah, he died too). There’ll be quite enough written about MJ, I don’t feel any need to add anything.

No, the death that hit me this week was that of one Steven Wells.

For those that aren’t particularly familiar with me, I, like probably most British folk with an interest in any music that’s even slightly “alternative”, spent years reading the NME. Generally, I hated the fucking rag. Sometimes though a piece would force your attention and more often than not it was written by Swells.

Whether it was giving racists and homophobes in music and in the World a well deserved kicking, on ripping apart bands you liked - NIN and Belle & Sebastian spring to mind right away - his articles were pretty much always worth reading. Frequently you’d disagree with what he wrote, sometimes I’d be furious after reading a Wells piece, but it was always interesting, regularly laugh out loud funny and of course filled with swear words.

Two things to read. Steven Wells’s last column for Philadelphia Weekly and The Guardian’s tribute.

And one song. Something I certainly never expected to post anywhere, never mind on a blog generally dedicated to Scottish music…
Daphne & Celeste - Ooh Stick You

Upon learning of the cancer that would kill him Steven Wells wrote, as only he could “Anyhoo. I put the phone down and let out a huge, self-pitying “Why me?” The answer, of course, is the same as the answer to Travis’ shit-awful 1999 international breakthrough hit, “Why Does It Always Rain on Me?” Because you’re a fucking dick. Now shut the fuck up and grow a pair.”
That says it all really, don’t you think?

De Rosa Split

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There were murmurs all weekend, but now it’s official.

De Rosa announced on their Twitter page that they have indeed split up, giving the following statement : “To all who listened. De Rosa has come to an end. If you liked our music or came to see us play we’d like to thank you all. Goodbye, De Rosa.”

Chemikal Underground added the following through their mailing list: “We hate these announcements but they have to be made nevertheless: De Rosa have decided to call it a day after several years, a legion of amazing live shows and two truly exceptional albums.

We count ‘Mend’ and ‘Prevention’ among some of the very best albums Chemikal Underground has ever released and it’s genuinely sad to know there won’t be a third. De Rosa were a uniquely gifted bunch of songwriters and musicians with songs that provided an object lesson in how to meld complex structures around irresistible melodies. Bands of De Rosa’s quality are few and far between and they will be sorely missed.

We’re very proud that their albums form part of our catalogue and wish them every conceivable success in all their future ventures (musical and otherwise).”

Best of luck to all involved for whatever they do in the future.

Here’s a parting sample of their music - Swell and Under the Stairs from this year’s fantastic second album, Prevention.

It’s my birthday…

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If you are reading this I’ve been in the pub instead of writng a proper post.
If that happens, I’ll try and change it later when I sober up/stop drinking.

Go say happy birthday to JC over at The Vinyl Villain too.

EP Review: Cancel The Astronauts - I Am the President of Your Fanclub

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Further proof, if any was needed, that I’m a lazy forgetful git. This has been sitting waiting for me to review it for ages and the post has been half written, saved in drafts since mid May, with me only now getting round to finishing and posting it. Apologies to the band who were nice enough to send me a copy and ask for the review in the first place for being crap and slow.

Anyway, leaving my unreliability aside, who are Cancel The Astronauts and what am I reviewing? Well, they are a band and I’m reviewing their (no longer very) recently released debut EP - I Am the President of Your Fanclub (And Last Night I Followed You Home).

The band are a five piece indie-pop outfit, hailing from Edinburgh. If you picked up the recent Limbo Live compilation CD you’ll have heard them, their song Slow Dance At The Disco was included on it. It isn’t on the EP though. Aside from the title track, astonishingly long title and all, there’s four other songs.

The title track is the strongest here, though there’s nothing bad about the other tracks. That being said, there’s nothing exceptional about them either. That sounds harsher than it’s meant to, but it’s the best way I can think of to descrive the EP. It’s got a solid, tight band, some good songwriting and lyrics and generally well crafted indie-pop tunes, but there’s nothing that really smacks you around the head and demands your attention.

A decent first effort though and if the band keep at it they could yet find that killer hook or fantastic set of lyrics that forces you to notice them. Catchy though.

The EP is out now, you can buy a CD from the band at one of the links below, or download it from eMusic
.

Website
MySpace

Try the title track - I Am the President of Your Fanclub (And Last Night I Followed You Home)

Green Man Festival - Green Poll

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I’m aware that The Green Man Festival is in Wales, not Scotland, but hey, I was asked to give Green Vote a plug, and there’s Scots playing at the festival, so…

Calling all bands and artists – the Green Man needs YOU!

Fancy being the first band to play at Green Man 2009, standing on the main stage on Friday August 21st as the sun beats down over the Black Mountains and opening the festival with one of YOUR songs in front of thousands of people?

How about sharing the bill Animal Collective, Jarvis Cocker, Wilco, Bon Iver and Grizzly Bear, getting airplay on Green Man YouTube for a year, having an opportunity of being included in the festival promotion and press such as giving interviews to Radio 1 and the BBC, or being featured in the esteemed publications and websites such as Mojo, Guardian, NME and Drowned in Sound as well as the many others that follow Green Man?

What if we threw in 6 pairs of free Green Man tickets for your family and friends to witness your big moment live on stage, just for good measure?

Sounds good, right?

Well forget X Factor and all those rubbish TV talent shows - Green Poll 2009 is here and the search is on to find the best new band or act to get the Green Man party started!

How can I enter?

It’s easy! We are asking signed or unsigned acts to register on our special Green Poll microsite and upload a YouTube or MySpace video of your band performing a song. Anyone can enter as long as they do so before June 29 – better get your skates on!

What happens next?

The music-loving Green Man public will choose their favourite bands in two nail-biting rounds of voting. The top 6 acts then go through to a live Battle of the Bands final at The Camden Monarch, in London, on July 23rd where a panel of top music industry boffins will pick one lucky winner to open Green Man 2009!

What’s the catch?

There’s no catch my friends, it’s as easy as one, two, three. To recap:

Round 1 - Voting closes at midnight on June 28 and the top 20 bands with the most votes go through to…

Round 2 - Voting closes at midnight on July 12 and the top 6 bands with the most votes go through to…

Grand Final - A live Battle Of The Bands contest in London on July 23rd to find one lucky winner to open Green Man 2009 judged by a panel of music industry boffins

How can I vote?

The winning band / artist will open the Festival on the main stage on Friday 21st August.

What if I want to cheat?

Cheats never beat so don’t you even bother! Every single vote really counts and the Green poll site will be constantly monitored for irregular or suspicious voting patterns - any underhand activities will lead to automatic disqualification. What do you think this is, the Eurovision Song Contest?

Is there a limit on how often I can vote?

Each user is limited to one vote per day.

Good luck – may the spirit of the Green Man be with you!

Vote Here

There’s a choice of many fine bands to vote for. Me? I voted for Mitchell Museum.

Album Review: Beerjacket - Animosity

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Beerjacket, aka mild-mannered teacher Peter Kelly, released his sixth album, Animosity on Monday. It’s really quite good too, so much so I’m managing to remember to write about it in something approaching timely fashion. Review is pushing it a bit, but let’s try anyway shall we?

When you are a singer-songwriter with a guitar there’s a whole bunch of people who you’ll inevitably be compared to. Most of the time these comparisoms will be lazy and have little to do with your actual music, but sometimes one or two come along that are actually pretty accurate.

To my uneducated ears, there’s a lot of Elliott Smith about this album. This is no bad thing, I love Elliot Smith.

Plus points of the album: It’s really good. Fab songs. Sounds quite a bit like Eliott Smith. There’s maybe some Nick Drake in there too. I mentioned it was good didn’t I?

Minus points: It’s short, only about half an hour, the songs are in and out in under 3 minutes generally. I’m struggling to say anything about it that doesn’t just compare it to Elliott Smith again.

Animosity is out now to download from iTunes, eMusic
, LaLa and Amazon MP3. A physical CD version will be available for the first time at the launch show on 17th June in Oran Mor. A previous album, Great Unhappiness, can be downloaded for free here.

(Do I get to call this a proper review if I stick an arbitrary rating at the end? If so, 4 out of 5 stars.)

Busy week for new records

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Apparently the music industry all got together and decided that this week would be a splendid time to take all my money.

New albums out this week include Malcolm Middleton’s Waxing Gibbous (not Waxing Gibbons like hmv.com will have you believe), Until The Earth Begins To Part, the debut album by Broken Records and there’s a mini-album thingy by Sparrow and the Workshop too.
The latter two are available from emusic now, which will save me some cash. Hopefully Malcolm will show up there shortly too.

Outwith Scottish bands, there’s Hombre Lobo, the first new album by Eels in years. It is, predictably, really good.

Oh, and Paulo Nutini releases his second album too. Hometown boy or not, I just can’t advise anyone to buy that. He’s a decent songwriter, but the voice annoys me intensely. You could probably pay a drunk guy in the street to sing for you and it wouldn’t be all that different really.

I’ll listen to these in the next couple of days, then as usual forget to review any of them.