Aye Tunes Vs Peenko III

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No one ever stops at two, you need to have at least a trilogy, don’t you?

With that in mind Peenko and myself have been working for a while on the third AVP gig which we can finally announce. We’ll be the Back To The Future, Toy Story, Evil Dead and Friday series, not The Matrix, MVP: Most Valuable Primate, Beverly Hills Cop or Teenage Mutant Ninja Turtles.
We promise no Ewoks and no Sophia Coppola. All bands will be appearing in full definition 3D though, unless you only have one eye.
Never ones to outstay our welcome (shh) we’ve upped sticks again, shifting to downstairs at The Classic Grand this time round, so we are nice and handy for the train station and Pizza Hut. If you saw me before either of the previous gigs you might have noticed a lot of blind panic, well The Classic Grand is a much bigger venue than The Captain’s Rest or The 13th Note were, so expect my look of panic to be significantly increased too. But enough about me shitting myself, and more about the fools bands we’ve somehow managed to get to play for us.
The Seventeenth Century are simply a band I can’t see myself getting bored of watching. Not only do they have magnificent songs, but also a level of on stage energy and chemistry that has to be seen to be believed. Don’t just take my word for it, listen to John Robb, who said “Their sound is utterly original and the band is pure genius”
Come On Gang! are an Edinburgh based three piece with a line of catchy melodies that embed themselves in your head and refuse to leave for some time. They also have a singing female drummer which not only makes them stand out from the crowd, but shows that at both Peenko and Aye Tunes we like both females and people from Edinburgh. Fair warning - they recently made a man dance so hard he tore his trousers.
I Build Collapsible Mountains is another Edinburgh dweller. This mysterious singer songwriter is on the verge of releasing his debut mini album A Month of Lost Memories (out on October 13th on Peenko Records. Hang on…) and will be revealing his true face for us. Well, IBCM is really Luke Joyce, formerly of The Gothenburg Address and gifted photographer. But shh, don’t tell anyone.
We try to put together a line up that is a bit different from the usual, no booking support bands that sound a bit like the headliners but not quite as good, which we’ve hopefully accomplished. All three bring something different to the table, and your ears, all we ask is that you bring the ears.
Aye Tunes Vs Peenko 3 takes place on the Fifth of November - if only there was some little rhyme you could use to stop yourself from forgetting the date - at The Classic Grand in Glasgow.
Tickets cost £6 and are available from Tickets Scotland, TicketWeb, Peenko, or by harassing either me or Lloyd by email or in person. If either of us bump into you over the next month or so we will try and sell you a ticket, so be warned.
Also, Facebook users can go here for the event page.

Return of the YAK

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Give me an excuse to reference Mark Morrison in a post title and I’ll take it.

You Already Know released their debut album Stop Whispering last year to much acclaim, it also scored a spot in the Aye Tunes favourite albums of 2009. Since the end of last year they’ve been fairly quiet, slipping out a tour CD and a very limited - and excellent - collection of cover versions for Record Store Day earlier this year. The quiet time has been well spent, whipping second album Petrol Money into shape.
Now that Petrol Money is finished, it is time for You Already Know to make a bit of noise again, something they do very well. Starting in October the first fruits of the second album will be released, under a series of digital singles.
YAK’s Allan J Swan says “We have 3 tracks from the album we will be releasing as singles, each in the old 7″ vinyl style of A-side + exclusive B-side. For £1 a month from October to December, we’ll be offering up the finest instrumental riff-based music Scotland has ever offered up. And with all this being digital, you won’t even have to brave the weather to get your fix. It just makes so much sense, i could cry.”

The first single Boomstick will be backed with Into and Over You (Naked), an exclusive acoustic version of another album track. The single is set for release by ineedmusik.com in October and will be available exclusively on youalreadyknow.net. You can hear Boomstick below.

You Already Know are also set to make a return to gigging, with a show at The 13th Note on November 12th. Support comes from DeadOtter and Circle of Tyrants. Go.

<a href="http://yaktracks.bandcamp.com/album/boomstick">Boomstick by You Already Know</a>

This Week’s Gigs: 27th September - 3rd October

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There seems to be very few posts in between the gig listings recently, I need to work on that. Particularly since there’s a large pile of CDs to be reviewed which fall on me occasionally, not to mention digital stuff, which obviously doesn’t fall on me. Ooh look, I’m babbling again, that’s a sure sign I should get on with things.

Tuesday:
Martin Docherty. The Liquid Ship. Free
Thursday:
The Glad Cafe/45 A-side Records Present: Dam Mantle, Song Of Return, Conquering Animal Sound, Barn Owl, Detour DJs. Stereo. Tickets.
he Glad Cafe is a new venture being set up in the Pollokshields area of Glasgow, which will host both a restraunt and and arts venue. To raise funds and awareness 45 A-Side Records are releasing a compilation album, with this gig being the launch, which features a ton of great bands, including those playing the gig. The record can be bought in advance here.
UWS Freshers Music Festival. Paisley Student Union. £4
As I’ve said before, Paisley gigs get plugs. As it happens that has a pretty good looking line up too, with the likes of Aspen Tide, Ryan Bisland, Kitty The Lion and Aeriels Up on the acoustic stage, while Carnivores, Pacific Theatre, LightGuides, Trapped In Kansas, Make Sparks and headliners Sucioperro gracing the main stage. Everything kicks off at 4.30pm, £4 entry, and non students can get in too, which is good news for me. Download a free sampler compilation of some of the bands taking part here.
Friday:
How To Swim launch their debut album Retina (or More Fun Than A Vat of Love) with this wee gig. As well as quality supports there has been cake promised. Entry will cost you £5, but for £10 you can get in AND get a copy of the album, so do that.
Music Like a Vitamin. HMV Picture House, Edinburgh.
Featuring solo sets from Karine Polwart and Scott Hutchison, along with a whole host of collaborative efforts.
Saturday:
Music Like a Vitamin. O2 ABC, Glasgow.
Like Edinburgh the night before expect a bunch of collaborations, plus solo sets from James Yorkston and Alasdair Roberts.
First Glasgow headline gig from French Wives since their ace performance at King Tut’s a wee while ago. If you missed it then you can have a listen to a new French Wives song here, and get it as a free download on Monday.
Max Raptor, Deserters Deserve Death, The Hundred Metre Club. Sneaky Pete’s. Edinburgh.
Be a Familiar, Endor, Gdansk. Classic Grand.
Aberfedly, Second Hand Marching Band. Aberfeldy Town Hall.
Fancy seeing Aberfeldy in the place they take their name from? Now would be your chance.
Sunday:
The Barents Sea, The Darien Venture, Jack The Wolf, Alburn. Captain’s Rest.
Oxjam - Campfires in Winter, Carnivores, Bronto Skylift, Super Adventure Club. Nice n Sleazy.
As we hit October we also hit Oxjam season. Other Oxjam gigs will have to go some to beat the line up for this one though. The sensitive out there might want to bring earplugs.

French WIves - Welcome, in the light

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Oh look, Saturday night, The X Factor is on. Would you rather here something decent instead of some squealing harpies doing karaoke? You would? You are as big a snob as I am then, well done you. But I digress…

On Monday one of our favourites bands, French Wives, will be giving a new, previously unavailable song away for absolutely nothing, but before that they are giving Aye Tunes readers a chance to get a little preview. Welcome, in the light is available to stream below, then on Monday swing by the French Wives MySpace to find out how you can get your free download.

French Wives play Stereo in Glasgow on October 2nd. If the gig is anywhere near as good as the last time I saw them, back in July at King Tut’s, it’ll be pretty special, so try and get yourself along. Tickets are available here.


French Wives: MySpace - Shop

Hazy Recollections 4 - This Sunday

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Looking for something to fill your Sunday afternoon? Something gig shaped? Well, why not have a look at the next Hazy Recollections gig then?

Hazy 4 takes place in Stereo on September 26th, which is tomorrow, unless you read this later in which case you’ve maybe missed it already, from 2pm until 6.
Joining the regular host Findlay Napier and The Bar Room Mountaineers are Damon Valentine, Calum MacCrimmon and the excellent Jo Mango, all of which adds up to a cracking wee afternoon of music.
But that’s not all! There’s a top secret special guest lined up too. I’m not allowed to say who it is, if I did I’d be making a Rod for my own back, but I hear it is a gentleman with a lot of Hart.
If you hurry you can pick up an advance ticket here, otherwise it’ll be £6 on the door.

Gig Preview: The Unwinding Hours - The Twilight Sad - RM Hubbert

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Coming up in October is a gig that looks to be a little bit special.

Back in February The Unwinding Hours released their debut album, and with it made sure that the bar for the end of year “Best of 2010″ lists would be set high. Now they are planning a bit of a break to work on a follow up, but not before playing a few gigs.
Joining The Unwinding Hours on their last Glasgow show for a while is the wonderful RM Hubbert. Not to be outdone Hubby released a pretty excellent album himself this year in First & Last. More recently both joined forces to record a cover version of Sparklehorse’s Spirit Ditch. You can hear the gorgeous results below.

Rounding out the bill are special guests The Twilight Sad, who will be performing an acoustic set. Last year’s Forget The Night Ahead album showed that the brilliance of their debut album was no fluke, with The Room in particular, released as a single earlier this year, standing out to me as my favourite thing they’ve done so far. Despite losing the services of bassist Craig Orzel in February The Twilight Sad have continued to travel the World rattling eardrums and going from strength to strength. New material is forthcoming too, with The Wrong Car EP set for release on September 27th.
So yeah, like I said, a little bit special.
The gig takes places on October 17th in the Oran Mor Auditorium, with tickets available here.

This Week’s Gigs: 20th - 26th September

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There’s either less on this week than there has been recently, or no one has been telling me about their gigs. Since some weeks recently have been quite ridiculous with the number of good gigs this isn’t so bad. Either way what the week lacks in quantity it makes up for in quality.

Tuesday:
A little Wiseblood Industries night. Yifi have been quiet for a while, so much so that this is their first Glasgow gig in over a year. We love Burnt Island round here, so their place is on the bill adds even more reason to get along to this one. Jamie Sturrock released a new EP on Wiseblood just recently, which you can get your hands on for free right here.
Wednesday:

I’m not personally much of a Sufjan Stevens fan, but the line up of artists playing at this make it worth a good look. There will be performances and collaborations from Open Swimmer, Washington Irving, Julia & The Doogans, The Last Battle, Randolph’s Leap, Endor, Esperi, Quickbeam and more. I hear there will be cakes too.
Thursday:
Carnivores and Pacific Theatre launch their pretty excellent split single with a free gig in Bloc, joined by the brilliantly named Penguins Kill Polar Bears. Get down early, this should be a good one.
Darren Hayman, Gordon McIntyre (ballboy), Withered Hand. Wee Red Bar, Edinburgh.
I’ve got much less of a clue what is happening through in Edinburgh this week, but I do know that former Hefner frontman Darren Hayman is in town to play songs from his new album, with some excellent local support lending a hand. No hand pun intended.
Oh You Dancer launch night. The Admiral.
New club night Oh You Dancer kicks off, promising “an electro/ glitch/ 8-bit/ techno night of audio visual mayhem” with residents Daisuke joined by guests Data Rape and DJ Rambunctious. It all takes place between 11pm and 2am, and typing all that made me feel really quite old.
Friday:
Zoobiezaretta, White Heath. Captain’s Rest. £2.
Zoobiezaretta finally have their album finished, and are playing a launch gig to celebrate. The album is, from the quick listen I’ve had to it, very good. For the Edinburgh launch gig see Saturday.
Pin Up Nights - Geek Night. The Flying Duck.
Once again it is Pin Ups time. This month’s party has a geek theme, with Angelos Epithemiou from Shooting Stars as the guest DJ, and live sets from the ace BMovie Junkies, PAWS and Heart Beats.
Saturday:
Trapped In Kansas, Cryoverbillionaires, Your Neighbour The Liar. Classic Grand.
Don’t know much about Cryoverbillionaires to be honest, but we like Trapped In Kansas and Your Neighbour The Liar.
Zoobiezaretta, White Heath, Loch Awe, Sebastian Dangerfield. Sneaky Pete’s.
Sunday:
Slow Club Mini Fest. The Flying Duck.
Loads of good folk playing at this, visit the Facebook page linked above for all the details.
Campfires In Winter, Little Doses, Dante. Captain’s Rest.

This one time, at Bandcamp…

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Shameless, I know.

Last week music site Bandcamp announced a few changes to the way it would be working with free downloads. Reaction was mixed.
Basically instead of bands being able to offer unlimited free downloads of their music Bandcamp are going to set a cap, and beyond that bands and artists will have to buy a “Power Up” to offer more freebies. The packages offered were 300 downloads for $9 USD, 1000 downloads for $20 USD and 5000 downloads for $75 USD. In addition when a band makes $500 in sales their account will be topped up with another 1000 free downloads.
I get more music from Bandcamp that from anywhere else these days, and think it is a fantastic site. Obviously since I’m getting all that music there must be bands providing it, so I asked if anyone had any comments, here’s what some had to say…
(Note: this post was delayed by the great computer meltdown of last weekend. In the meantime some changes have been made by Bandcamp, but I got comments before those changes)

Matthew Gilliland, Mondegreen

I’m a bit disappointed with bandcamp’s new free download limitations. We haven’t had that many downloads yet, but if we ever did get beyond 500, we would in effect have to pay for people to download our music for free. Which is obviously going to effect how we do things in the future.


My initial feeling on reading Bandcamp’s latest news was, ‘Oh you scallywags. You’ve blown it.’ However, on reflection, these developments aren’t really all that bad. Those of us who have been able to use Bandcamp completely free of charge up ’til now are lucky bastards.

Think about it. Bandcamp’s whole interface is perfect. I can’t think of another way to tart up what is effectively A BUNCH OF MP3s and somehow turn it into a cohesive, pretty… well… PRODUCT (sorry).

I currently give all my music away for free and have had about 300 downloads in six months. Smalltime Bandcamp users who, by the way, make up about 80% of Bandcamp’s population, aren’t really missing out. Existing users get a whole 500 free downloads.

It will cost you $20 to give away another 1000 downloads. Hardly breaking the bank. That’s three pints in real money. Everybody cheer up. Streaming costs nothing, remember!

Better still, use this news as impetus to make better music, take more care over the packaging and, gasp, maybe charge £1 for an album or something (OMG)? It’s made me really think about my music and whether giving it away for free is really a result of undervaluing the music we write. (I wouldn’t hesitate in paying for great music on Bandcamp so why shouldn’t other people?)

On the other side of the coin, however, I’ve no doubt that there are going to be Bandcamp-esque websites popping up all over the place. There will always be a way to give away your music for free. Thing is, will it be as goddamn awesome as Bandcamp’s pretty revolutionary site? Hmmmm… I think I’ll take the $20 a year hit. The Bandcamp pros FAR outweigh the cons. This was inevitable. Time to man up, folks.

Mark McG, The Girobabies
I think Bandcamp`s recent changes are slightly worrying for the long term. Bandcamp has been brilliant for us as a band up until now and at the moment we only sell our music exclusively online there . It gave us a chance to give away our `Jeremy Kyle` track for free to anyone in exchange for their e-mail address. Which helped us to build up a database of people who would potentially buy our CD …and many of them did purchase when our `Social Not Working` E.P went up for sale on the bandcamp page. In the beginning we received 100% royalties. It all seemed a bit too good to be true, And of course it was.
Now they want to cap the amount of free material we give away (Or charge us for giving away free material) and take a 10% cut of royalties. That in itself is not enough to drive me away from Bandcamp. Its still an excellent service and has to make money somewhere but it does make me slightly concerned about their intention s for the future. Will the 200 cap be removed entirely? will the royaltys sneak up by 5% every couple of months? Fingers crossed this isn’t the case as the last thing we need is another i-tunes.
There is two arguments here though. One is that artists should be entitled to give their music away for free. There is plenty other sites available to do that and there may be a couple due to pop up in the aftermath of Bandcamps free music cap. The other argument is that maybe Bandcamp will encourage more independent artists to sell their music rather than giving it away for free. If that was to become the norm again then maybe this would be a good thing for the music industry as a whole?


We loved it till the fee increase.. now we’re just good friends. There was also potential to sidestep Ticketmaster for feeless local online ticket sales.. in combination with a pile of envelopes

Jim Connick, Aye Tunes
I’ve only ever used Bandcamp as a seller once, for tickets for the last Aye Tunes Vs Peenko gig. Like The Social Services I saw a lot of potential in using Bandcamp this way, sidestepping ridiculous booking, postage and mysterious service fees. Paypal takes a little slice of each payment, so by selling the tickets online I lost a little money, but only a little. Bandcamp now take a 15% share of sales, which means for the next AvsP gig I won’t be repeating the experiment, since that 15% on top of the Paypal fees adds up to a decent slice of the ticket price, making it impractical for me to use. AvsP gigs don’t make Peenko or I a profit, but neither of us can afford to take a financial hit from them either.
The more recent change was one I initially didn’t like, but I could see the reasons for. I love my free music and I’m much more likely to take a chance on that new band I’ve stumbled across if there’s no risk of feeling done, but at the same time Bandcamp lets me stream everything there too, if I have to pay for something I can listen to it first and make up my own mind if it is worth it. Bandcamp remains an excellent resource, for one thing it has let me stick songs in this post by all that contributed without having to bugger about with getting permission, uploading them myself and so on. I love how easy it is to integrate the Bandcamp player into a blog post, that’s why if I can include it instead of an MP3, I will.
The Update
This is the part that Mark, Paul, Matthew and The Social Services didn’t get a chance to comment on, as it was just announced yesterday.

As suggested by several of the commenters, we’re going to refresh everyone’s free download credits every month (so, if you have less than 200 downloads remaining, we’ll just bump you up to 200 again). This still accomplishes our goal of keeping the costs of large-scale free download campaigns where they should be (on the people actually doing them), while also giving early-stage artists room to comfortably get started.

Straight away this fixes the concerns the concerns that I’d had about the change. If your band is consistently pulling in more than those 200 free downloads a month you might still need to dip in to your pocket if you want to keep everything free, but if your band is clearing 200 a month then you are probably in a position where you can start asking for a little cash in return for your music. Turn five free downloads of your EP into 5 £2 sales of your EP and you should have made that $9 it’ll cost for another 300 freebies. If you really want to make everything free without paying Bandcamp there’s ways to do that too. There’s plenty of file hosts around there that you can use for free. Hell, if you are that stuck I’ve got some hosting space, I’ll give your music a home for a while. It won’t have an interface as simple or pretty as Bandcamp does though.

This Week’s Gigs: 14th - 19th September

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Sometimes I really hate computers. If anyone has sent me anything in the last week or so it is going to take me a few days to find it again and do anything with it, but I’ll get caught up eventually.
Anyway, we are running very late, so I’ll just get on with the gig guide.

Tuesday:
Come On Gang! Here We Go Magic. Captain’s Rest.
Come on Gang! reach Glasgow on their current tour, in support of the release of their new single Fortune Favours The Brave. If you haven’t already done so, go download that, for free, over here. It is ace, and this gig is probably worth braving the abysmal weather for.
The Pattern Theory, Luz da Lua. Sneaky Pete’s, Edinburgh.
Wednesday:
Detour Series 2 Launch. Bar Bloc+. Free.
Detour return to their spiritual home of Bloc to launch the second season of their podcasts and gig nights. The line up is a closely guarded secret, but the Detour gang can be counted on to never let you down.
No Rave Art School Freshers Party. The Vic Bar.
Featuring Ben Butler & Mousepad, Blood of the Bull and Holy Mountain live, with a Dam Mantle DJ set. Look, a flyer!
Thursday:
Some guy in a hat is in town, which may well make getting anywhere a bloody nightmare.
If you are in Glasgow then pop along to Waterstones on Sauchiehall St at 6.30 for the launch of Dougie’s War, a new graphic novel by Rodge Glass and Dave Turbitt. Tickets for the launch are free, available from Waterstones.
Afterwards you could do worse than swing round the corner to Bloc where you’ll find Galleries and Otherpeople doing a free gig.
Also on Thursday, Verse Metrics are playing Pivo Pivo.
Friday:
Oh Friday, once again you have too much on.
Aidan Moffat, Aidan Moffat and the Best Ofs, Aidan Moffat and Bill Wells. Paisley Arts Centre.
That’s right, it is a rare good Paisley gig. Yes, Aidan Moffat really is supporting himself, supporting himself, as he’ll be playing 3 different sets at the gig - one solo, one with The Best Ofs and one with Bill Wells.
Re:Peater Records Launch with Fur Hood, SHe’S HiT and Jacob Yates and The Pearly Gate Lock Pickers. The 13th Note.
Good one this one. The first single on Re:Peater Records is due out soon, a splint single with SHe’S HiT & Jacob Yates. Having heard it I highly advise keeping an eye out for it. I’ll talk a bit more about the single in a few days though.
Mono Six. Capitol.
Rock Chic. SWG3. Tickets

Rock Chic is a live fashion and music event aiming to raise funds for the Paul O’Gorman Leukaemia Research Centre at The Beatson, organised by the Poochetes from Pooch, who will also be playing on the night. Also playing live are Miaoux Miaoux, Attic Lights, The Soul Foundation, Figure 5 and a host of DJs. The night promises to be ‘one of the most fast-paced, edgy, glamorous events on the social calender’ with the music going hand in hand with fashion shows, cupcakes and lots more.

Trapped Mice, Louise McVey and Cracks in the Concrete, Pete Molinari. Sneaky Pete’s, Edinburgh.
Saturday:
Aerials’s Up, Blue Sky Archives, Randolph’s Leap. King Tut’s.
Hey Vampires, United Fruit, Cuss Words. Bloc. Free!
After a long hiatus Hey Vampires are back on the scene, which makes me a happy man.
The Paraffins riverside album launch. Glasgow.
No dull, boring album launch for The Paraffins, oh no. The Paraffins and a bunch of guests will be playing an open air gig next to the Clyde, round about where Barfly used to be (and if you don’t know where Barfly used to be you’ve just made me feel very old). Unless it rains, then it;ll be under Central Station bridge. Everything kicks off at 2pm and promises to be done by 6. Should be a great way to spend your Saturday afternoon. Get all the details over on Facebook.
The Last Battle, Burnt Island, Matt Norris and the Moon. The Roxy Rooms, Edinburgh.
Another album launch, this one for The Last Battle’s debut album Heart of the Land, Soul of the Sea. I’d love to tell you how ace the album is, but it is one of the things I can’t get at at the moment, so I’ve not managed to hear it myself yet. I expect it to be rather good though, and there’s some great supports for the launch.
Kid Canaveral, Night Noise Team. Sneaky Pete’s. Edinburgh.
We had them in Glasgow last week, now Edinburgh gets their shot.
Looks like Saturday night in Edinburgh is a busy one then?
Sunday:
Washington Irving, Rachel Sermanni. Captain’s Rest
Probably not many better ways to finish off your weekend really.
That’s your gig guide for the week, now cross your fingers that I can get my external hard drive to play nice again so I haven’t lost six months worth of music…

COMPETITION - Win tickets to Kid Canaveral, Night Noise Team and The Cinnamons

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Why run one competition at a time when you can do two?

I’ve got another pair of gig tickets to one lucky winner, this time for Friday’s gig at The Captain’s Rest with Kid Canaveral, Night Noise Team and The Cinnamons.
To enter just fill in the blank and email your answer to [email protected]
Question: The name of Kid Canaveral’s last single was You Only Went Out To Get _____ Last Night.
Easy.

Competition closes at 5pm on Thursday when a winner will be drawn at random and informed they’ve won by email.