The interview? Well as i said above, I cheated. Instead of doing it myself I roped in Kate from Charles of the Ritz to interview Bob of Black Jash. What? I’m a lazy man! Here’s what happened.
A lot of your songs are about Gretna. Is it really that much of a hell hole? Does it inspire you?
It’s no more of a hell hole than anywhere else, there’s good and bad wherever you go. It’s not easy dealing with tourists and mildly racist comments from both sides of the border though. All the Deep Fryers think we’re in England or may as well be and all the Morris Dancers vent their hatred for the whole country, of which borderers have very little say in, on you. Aye we’re surrounded. To my recollection there are no Gretna specifics in our songs, it’s more certain types of people that everyone has where they live, and every community has a Crap Alan or Black Jash. I don’t hide my Gretna accent, maybe that’s causing the confusion?
Who are Black Jash’s main influences?
The Stooges, I’m a fan of proper frontmen like Iggy Pop, Henry Rollins, GG Allin, Lux Interior and the like. I can’t be on with meek tortured souls, I want a pure throbbing phallus. I like ODB, Wu-Tang and The Beastie Boys, I think the ego rappers have, getting on a microphone and telling everyone you’re on it and openly saying everyone else is worse than you, is really admirable. It’s hard to master doing that and not be hated on for the idiot you’re being. Have I nailed it? Some folk say so. I hate myself so you’re not going to get a valid answer from me. You’ll have to come check me out and decide for yourself. Please give nonviolent criticism.
Who taught you how to dance?
I know you won’t believe this but I’ve never had a lesson! I think my styles are genetic, having seen my Dad’s moves at numerous family parties I’d have to say it’s not him. My Mam used to go to dance schools and my Sister’s in a dance group so I think it’s off the good old Fife stock that I get my moves from. Fife for Life. I’ve always wiggled my hips on stage but in the early days I stopped myself when I realised I was doing it. After seeing Spawny from Big Ned openly does it I thought to myself “Hey, I’ve got a better arse than that, let’s show the ladies the goods available”. I still do wish I was Spawny though.
How do you usually decide who to do the split tapes with? Is it a case of collaboration/admiration or do you just take what you can get?
It’s admiration. The ‘size’ of the band is a factor too. I wouldn’t send a gushing email to a band already with a record deal, they have to be unsigned and to my taste. It helps if they’re from a different part of the country/world too, broadens each other’s fan bases and trying to shift that many cassettes in one town is sheer idiocy. They’re the ideal format for a split. One side each, nobodies ‘on top’ either.
What are Black Jash’s world domination plans?
The Tortoise from The Tortoise and The Hare saga is a massive inspiration. Myself, Alex and Neill went to see the ‘Transatlantic Feedback’ film about the Monks at Indie Cinema ‘Star & Shadow’ in Newcastle and it changed my mind greatly about our imminent world domination. I’d much prefer to be stumbled upon by the next generation of music fans, or the one after that. That’s why we release cassettes. Someone that finds one of our cassettes and listens to it hopefully will not know what era we’re from and have to do a bit of homework, type the name into Ye Olde Google, to find out what we’re about. So the plan is to plod on as we are, get fed up with each other, not talk for years then get a phone call pleading for us to reunite for a one off show, back catalogue reissue box set with mouse mat and usb storage pen in the shape of a pineapple, documentary and hopefully we’ll get the Black Jash lighters made we’ve been saying we are going to for years.
Are you as much of a dick in real life as you are on stage?
What about local bands/musicians that you like? Any that compare to the Jash?
I just realised the other day that I haven’t listened too much else but music made at Green Door Studios for about a year. Nothing else gets me going. So anyone that records there I rate everything else I don’t. I’d be lying if I said anything other than Black Jash is my favourite, followed closely by Charles of the Ritz, the band I drum for. (If I was reading this I’d hate me too.) Why would I be in a band… nae front a band I didn’t think was awesome? I’d be wasting my time and be unhappy. I know it’s not the done thing to say it but it’s not the done thing to wear bodyform bandit masks and I’ve done that.
Did you know your bassist looks like Jim Morrison?
His hair did a few years back. He also looks like Mick Jagger, Vernon Kay, Mica and Brian Ferry, he’s got one of those faces you really want to punch, wait ’til it’s slightly healed then punch again and again, then pay for him to get a new one. He’s actually distantly related to Brian Ferry and Neil Armstrong. I couldn’t do the frontman thing without Neill to be honest though, he’s my rock. I envy how effortlessly cool he is and how I always get asked, before anyone asks how I am, how he is.
How did the idea for the two drummers come about?
After we stopped playing with Liam we went through a few one off shows with drummers. Sam from Casual Sex was my favourite. Brickyard sound technician extraordinaire Nic Jay was the closest we had to a constant drummer at the time. We had a gig in Carlisle where we the only band on the bill and I thought we should make i a bit extra special. Black Manajash Arkastra was created. Black Jash and Manatees combined. The line-up was Pauley, Alex and Nic on drums with Greg Wynne on white noise guitar and Neill and I doing our usual. We sounded massive, the vibrations made drunk girls sick and drunk boys head bang. Nic moved to Newcastle and Pauley and Alex just kept coming back to practises. I’m quite insecure about their presence in the band. Manatees are proper and I don’t think we can compare in any way to them. Every time I get a phone call from those guys I think ‘oh no here comes the bad news’. I like the primal sound we’ve got now. Drums are awesome. I’ve always wanted to be a drummer.
How much better are Charles of the Ritz?
I like that I just have to turn up for Charles of The Ritz. I hate gig promotion and the admin side of Black Jash. Organising one drummer is bad enough but two? Getting in touch with a recluse bass player also proves difficult. The Ritz have catchier choruses and appeal to more people. I think the ‘Black’ in our name closes more doors than it opens. It’s not my fault; I didn’t name Black Jash, Black Jash. We took the name from the local ‘nutter’. The guy you’d shout stuff at to get a chase off. Everyone’s been part of a wee gang that does that for funsies. The best fun I had as a youth were running away from people. It’s the best kind of buzz I’ve ever had. Honestly I’m like shit off a shovel for about a hundred yards. Shouting scathing one liners on your feet is a talent I’m glad I’ve honed. Growing up is such a bummer.
General jealousy of other bands that get better support slots and releases than us. Ideally more of the same. Having fun and playing gigs we’d pay to go and see anyways.
What are you after? I’m not asking for a Rose Spritzer, Jagerbomb or a half though. (Jim: while you are up, I’ll take a Guinness…)